Mongrel Foundation > Artists Pages > Mark Garry
"I have a site specific installation practice
concerned with devising methods that engage with, and navigate viewers
through, physical spaces. These installations combine physical, visual,
sensory and empathetic analogues, creating arrangements of elements that
intersect the space and relate to the physical ergonomics of the space
and each other. I use a range of natural and craft materials such as
thread, beads, coloured paper, origami, plants, and a range of methodologies
to dynamically transform these materials in such a way as to delicately
intersect the space and to leave open the possibility of imaginative
responses to the visual, spatial and associative interactions created
by the materials.
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This practice is process driven and I am very interested in craft traditions and skilled workmanship and it is important to me that my work involves the stretching and consolidating of the physical capabilities of the materials I work with, both in isolation and when combined with other materials and objects. It is my desire that through my intervention one's perception of these materials is altered fundamentally from their utilitarian origins.
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I find this particular type of endeavor worthwhile because it prioritizes a form of engagement where associations, while formal and structured, are not fixed; and rather than make finite statements I am interested in creating ethereal relationships where the opportunity is present to bring one's own associations and connections to bear on the elements that are presented.
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I place more emphasis on the possibilities of non linguistic forms of subjective subliminal perception and interaction. I want to enable situations where the relationship between metaphorical signifiers can never be defined simply. One of my concerns would be attempting to create interactions that negate obvious simple linguistic contextualization and definition as I feel this encourages a broader more diverse form of communication.”
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This practice is process driven and I am very interested in craft traditions and skilled workmanship and it is important to me that my work involves the stretching and consolidating of the physical capabilities of the materials I work with, both in isolation and when combined with other materials and objects. It is my desire that through my intervention one's perception of these materials is altered fundamentally from their utilitarian origins.
//
I find this particular type of endeavor worthwhile because it prioritizes a form of engagement where associations, while formal and structured, are not fixed; and rather than make finite statements I am interested in creating ethereal relationships where the opportunity is present to bring one's own associations and connections to bear on the elements that are presented.
//
I place more emphasis on the possibilities of non linguistic forms of subjective subliminal perception and interaction. I want to enable situations where the relationship between metaphorical signifiers can never be defined simply. One of my concerns would be attempting to create interactions that negate obvious simple linguistic contextualization and definition as I feel this encourages a broader more diverse form of communication.”
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